Irish Music

Only one U2 gig sold-out so no need for scalpers

U2 fans and ticket scalpers alike have been quick to get their hands on passes for the band’s Australian tour, set to kick off in November.

The first of two performances at the Sydney Cricket Ground has completely sold out, but with tickets selling for more than $3,000 on much-criticised resale site Viagogo, official vendors are reminding concert-goers that legitimate seats are still available for remaining shows around the country.

Live Nation, Ticketek and Ticketmaster’s U2 prices range from just $60 for general admission to almost $500 for a VIP experience and the chance to win a backstage tour.

Artists and promoters have pushed for regulation of ticket reselling for years, with duped customers left unable to enter concert venues after spending hundreds or thousands on invalid tickets.

For fans who do make it through the gates, the Joshua Tree Tour will celebrate the Irish rock band’s album of the same name and mark the four-piece’s first return to Australia since 2010.

U2 will finally bring their renewed The Joshua Tree Tour to Australia from November 12.

U2 will finally bring their renewed The Joshua Tree Tour to Australia from November 12.

The 1987 release was U2’s most successful album, featuring hits including With or Without You and moving more than 25 million copies worldwide.

The band embarked on the tour in 2017 for the album’s 30 year anniversary, playing the complete tracklist for loyal supporters.

Announcing the Oceania leg of the world circuit, famously philanthropic lead-singer Bono said, “It’s only taken me 30 years to learn how to sing these songs and…I’ve finally caught up with the band,”

“Our audience has given The Joshua Tree a whole new life.”

The band has ensured all their devotees can feel involved even in expansive stadiums, with a set featuring two stages and the largest LED stage screen ever used during a concert tour.

Dublin native Bono is as well-known for his political statements as he is for his four-decade music career.

Dublin native Bono is as well-known for his political statements as he is for his four-decade music career.

Noel Gallagher’s High Flying Birds, made up of four former Oasis members, will also travel down under as the group’s support act.

U2 will also perform in Melbourne on November 15, Adelaide on November 19, Sydney on November 22 and 23 and in Perth on November 27.

U2 will finish the 2019 leg of their 30th anniversary The Joshua Tree tour with a concert in Mumbai this December - the first time the band has ever played in India.

Meath singer Sibéal to perform at Sydney's Zone Out Festival

An up-and-coming Irish songstress has released her debut album ahead of a trip down under.

County Meath native Sibéal Ní Chasaide will perform repertoire from her self-titled work at Sydney’s Zone Out Festival at the end of September, joining an international line up with her fresh take on Irish folk.

Sibéal is an unexpected star in the 2019 music scene, introducing audiences worldwide to sean-nós, the traditional and emotive style of singing in Ireland's Gaeltacht.


The 21-year-old has said of her unique sound, “I like…bringing the contemporary edge to sean-nós singing.

“That’s who I am essentially, I’m not just a one-dimensional person.”

She also performs songs in English with Blackbird and The Parting Glass nestled among the tunes sung as Gaeilge, ensuring the eponymous album’s universal appeal.

Sibéal rose to prominence as a school student when renowned composer Patrick Cassidy heard her sing and invited her to perform vocals for a centenary documentary, 1916: The Irish Rebellion.

Sibéal discusses her journey to success.

Her live performance of Mise Éire - the moving centrepiece of the score - with the RTÉ Concert Orchestra cemented her status as one to watch.

She has since recorded at the iconic Abbey Road Studios and shared her voice with audiences in the United States, Canada and the UK, accustomed to the touring life after spending her childhood travelling with her father and uncles’ Irish folk band.

Sibéal has been called a young woman of the new Ireland returning Irish music to the international arena.

The Zone Out Festival features international and Australian neo-classical artists, yoga sessions, panel discussions and film screenings.

The event takes place at Carriageworks on Saturday, September 28.

Perth Irish tenor short-listed for major singing prize

Louis Hurley will perform in the prestigious IFAC Handa Australian Singing Competition Semi Finals.

Louis Hurley will perform in the prestigious IFAC Handa Australian Singing Competition Semi Finals.

A Perth tenor whose family hails from Kilkenny will perform in the semi finals of one of Australia’s most prestigious singing competitions.

Louis Hurley and 11 fellow candidates will take to the IFAC Handa Australian Singing Competition stage this weekend, competing for opportunities to develop their careers the world over.

Mr Hurley’s talent was evident from a young age, but he said no one knew where he inherited his skill.

“I fell into this as an accident,” he said.

“My family is the least musical family you could probably meet…my dad’s into grunge music.”

Mr Hurley began his foray into classical voice training at the Western Australian Academy of Performing Arts at the age of 17 after singing throughout his childhood.

Louis Hurley and his mother Maree Hurley (née McCarthy) recently visited the McCarthy family shop in Brickana.

Louis Hurley and his mother Maree Hurley (née McCarthy) recently visited the McCarthy family shop in Brickana.

He credited prolific American opera singer Joyce DiDonato’s masterclasses with inspiring his ongoing education, and was able to learn from the guru first-hand when performing alongside her in a UK production.

“The first time I actually met her I froze and ran away, but I eventually did talk to her!”

Mr Hurley is currently rehearsing both for the Competition Semi Finals and for a Melbourne Conservatorium of Music production, and believes winning would help him leap into the next phase of his professional journey.

“Opera has this weird disconnect between finishing your studies and starting your career…the operatic voice generally takes longer to develop, so there are a few years of limbo”.

“The prizes help to no end,” he said.

The awards on offer include the $30,000 Marianne Mathy scholarship to assist with musical study, a chance to audition for the Lyric Opera of Chicago’s artist development program, and an opportunity to perform with the Sydney Symphony Orchestra.

The IFAC Handa Semi Finals will take place at North Sydney’s Independent Theatre on August 11, which will see five competitors move one step closer to joining the long list of winners from over three decades of celebration of opera excellence.

Walking On Cars lock in first Australian tour

Kerry band Walking On Cars, described by Hot Press as ”one of the top Irish bands to catch live” will tour Australia for the first time later this year.

The five-piece from Dingle shot to fame in 2012 with debut single Catch Me If You Can, and have been shaking up the scene ever since with their chart topping hits.

Just last month the indie-pop heroes played a sold-out 12,000 capacity show in Ireland.

ALSO READ: Sydney production of Once an on-stage hit

November and December will see the band perform their first ever headline shows in Australia and New Zealand. The dates follow a summer of European festival shows, a completely sold out UK tour and a clutch of huge arena and outdoor shows in their homeland, in support of the band’s new album, Colours.

The band have been clocking up millions of views on Youtube, including the first single from Colours, Monster.

After shows in Wellington and Auckland, Walking On Cars play the Factory Theatre in Sydney on Friday, November 29, Max Watt’s in Melbourne on Sunday, November 30 and Badlands in Perth on Monday, December 2.

Recorded between the band’s own home studio in Kerry, London’s legendary RAK studios, and Angelic Studios near Banbury , Colours is a second album described as “kaleidoscopically rich with sounds, emotions, synth-rock imagination and the brilliant song writing synonymous with the bands previous releases”.

Fronted by the charismatic Patrick Sheehy (singer/lyricist), Walking On Cars also features Sorcha Durham (pianist), Paul Flannery (bass guitarist) and Evan Hadnett (drummer).

Over 18 months’ touring the band has sold 135,000 gig tickets, reaching arena level at home and sold out tours across Europe, as well as playing the mains stages of some of the biggest festivals out there, including Isle of Wight, Rock Werchter, Rock Am Ring and Electric Picnic in 2017.

Their total global video views stand at an impressive 60 million, their cumulative global streams an eye-watering, ear-trembling 200 million.

Review: Once you see it, you'll like it

Guy meets Girl, and that’s where the introductions end.

The principal characters in this Sydney premiere production of Once remain nameless, but never voiceless throughout the minimalist musical nimbly staged in a Darlinghurst church-turned-playhouse. 

The Irish vacuum repairman and Czech immigrant, connected by a hoover that will not suck, set about on a week-long mission to craft an album with a ragtag bunch of skilled musicians in Dublin.

The stars need no more than a few days to become well-versed in wistful love under each other’s tutelage. 

Toby Francis’ Guy and Stefanie Caccamo’s Girl feed off each other’s wit and talent, each spurring the other to work to their full potential as they give their all to Glen Hansard and Marketa Irglova’s melodies.

Francis’ breathlessness is warranted at the end of the brutally pining When Your Mind’s Made Up, but Caccamo is undoubtedly the main attraction.

The actress, best known for her work in Beautiful: The Carole King Musical, is affecting at the helm of the piano, commanding and impressive everywhere else.

Girl’s deadpan approach to comedy and love comes naturally, “I’m always serious. I’m Czech”, and keeps the audience locked out of her thoughts until the right moment.

Stefanie Caccamo and Toby Francis star as Girl and Guy. Photo: Robert Catto.

Stefanie Caccamo and Toby Francis star as Girl and Guy. Photo: Robert Catto.

The ensemble cast, including seasoned theatre and radio personality Cameron Daddo, commits to the accents and sensibilities of at-times caricatured roles, and to the rich history of Irish folk music.

Bringing the orchestra out of the pit and into the light helps preserve the trance of Once, with mere scene transitions becoming moments of intrigue as the kindred virtuosos weave hazily across the set.

It is during earnest scenes of stillness that the play feels most rushed, like the performers can’t wait to pick up their instruments again, but the audience - who have awaited the musical’s Sydney opening since it’s Australian premiere in Melbourne five years ago - hardly minds.

The Darlinghurst Theatre Company’s production is more musical than any iteration that has come before, a point of pride for director Richard Carroll.

Name an instrument, and musical director Victoria Falconer, who joins the cast as barmaid Reza, can probably play it.

Once is an amalgamation of the best of musicals, plays, intimate concerts and spontaneous pub sessions, the entangled union a recipe for success.


After selling out its initial run, new shows have been added from July 30 to August 4.

Snow Patrol for August 'acoustic' tour

Snow Patrol return to Australia in August for an acoustic tour.

Snow Patrol return to Australia in August for an acoustic tour.

Snow Patrol return to Australia this coming August on the ‘Live and Acoustic’ tour which visits Perth, Brisbane and Melbourne, and sees the band performing for the first time at the Sydney Opera House Concert Hall.

Fresh on the heels of their North American stadium tour with Ed Sheeran,  and appearances at Lollapalooza Chile and Brazil , the Australian shows see the Irish rockers performing as a three-piece featuring singer and guitarist Gary Lightbody, Johnny McDaid on guitar, piano and vocals and Nathan Connolly also on guitar and vocals.

According to promoters Live Nation, Snow Patrol will be performing songs live “as you’ve never heard them before” and all their best known hits will be included in the set-list.

Over a 25-year career, Snow Patrol has carved out a unique place for themselves.

Since their 1998 debut, Songs for Polarbears, Snow Patrol’s melancholy anthems of heartbreak and separation have mended hearts, and the band have emerged as musical prophets striking a chord in the minds and memories of listeners over six ground-breaking, confessional albums.

The band has racked up an impressive number of critical and commercial accolades, including more than 16 million global album sales, more than one billion global track streams, five UK Platinum Albums, as well as Grammy and Mercury Music Prize nominations. 

With an equally huge fan base here in Australia Snow Patrol have received eight platinum ARIA accreditations and continue to be one of Australia’s biggest selling International artists.

Tickets go on sale at noon on Monday, May 13. Fan pre-sale from 11am Thursday, May 9 until 11am Monday, May 13. My Live Nation members can secure tickets first during the exclusive pre-sale beginning 11am Friday, May 10 until 11am Monday, May 13.

Full tour details from Live Nation.

Cranberries honour lost singer with final album

Dolores O’Riordan’s death in January 2018 was mourned around the world.

Dolores O’Riordan’s death in January 2018 was mourned around the world.

There was a national and international outpouring of grief when lead singer of the Cranberries, Dolores O’Riordan, died suddenly in January 2018 aged 46. The loss was felt not only in her native Limerick where the streets were full of mourners for one of Limerick’s most famous daughters but also all around the world for hits like Zombie and Linger.

More than a year since O’Riordan’s death from drowning due to alcohol intoxication, the Cranberries are releasing an album of songs O’Riordan had worked on before her sudden death. With the blessing of O’Riordan’s family, the band finished the album.

It was a help in their grief to have something to work on for her but it was also a constant reminder of the tragedy when it hit them that the singer would not be coming in to work on her parts for the recording.

“We kind of said going in, if we felt that this wasn’t going to work then we would just scrap the idea and just forget about it,” The Cranberries guitarist Noel Hogan told The Irish Echo from Ireland.

“The first couple of days, your emotions were all over the place because you were focusing on doing what you do and getting it right and at the same time there is a constant reminder that Dolores isn’t here anymore. You just have to put the head down and get on with it really and be professional, or as professional as you can be, about it.

“Then when you’re at the point that we are now, a year and a bit later you’re looking back and it’s kind of hard to imagine the grieving process without actually having done that. I definitely feel that it [the album] helped the three of us in some bizarre way to have something to focus on.”

Hogan remembers how excited O’Riordan had been about the recorded material.

The Cranberries at the height of their popularity in 2003. (From left) Noel Hogan, Mike Hogan, Dolores O’Riordan and Fergal Lawler.

The Cranberries at the height of their popularity in 2003. (From left) Noel Hogan, Mike Hogan, Dolores O’Riordan and Fergal Lawler.

“The last six months, from June to December, she and I were in constant contact. We were on opposite sides of Atlantic but she had this new burst of energy, I couldn’t give her enough music to write to.

“She wanted to work; she had a lot to say, given everything that had happened to her in the previous three years. It was trying to keep up with her, really,” Hogan said.

“She had shared that enthusiasm with her family a lot about how much she was looking forward to getting back into work, I think her family were aware of that. It was definitely something that she wanted to do and she had worked hard on these songs.

“To not finish it would do her an injustice.”

O’Riordan’s lyrics take on added poignancy on the album. Lines like ‘Ain’t it strange when everything you wanted was nothing that you wanted in the end?’ strike an emotional chord for her band mates and fans.

“Because of everything that happened, there’s almost a double meaning to them now.

“There’s a lot of discussion in this album and the topic is about things ending and coming to an end. Up until that summer, Dolores had been through a lot and it was well publicised and she was very open about it.

“She felt that she had turned a corner for better things and knew that that was behind her. The subject matter of a lot of these songs is, ‘that’s behind me now, this is the next chapter’. Then obviously what happened in January 2018 changed everything.

“When I went back to listen to them in February 2018, your mind can not help but wander off into another place and kind of realise what she’s saying here and how poignant it is now.

“This was written as another Cranberries album, that’s all it was ever meant to be in the origins of it. I know that forever more people will read more into these lyrics than she ever meant, but she would like that kind of thing anyway.”

Is this the end for the band?

“We never sat down and had a conversation about it but I think the general consensus was that we would do this album because we had started it, Dolores and I had started writing it, and it was so far into that process that it would be wrong to not finish it. We haven’t ever discussed doing any more than that.

“It’s just Dolores was such a unique voice and such a massive personality that really trying to replace her would be almost an impossible job.

“I think we would find it weird as well. It’s a double-edged thing. If we kept going, we would love to but you’re always going to be compared to this version of the Cranberries and that can have a very mixed response.

“We didn’t want to destroy the legacy at the end, do some kind of patchwork album and just try and make a few pound out of it. The agreement was that if any of us thought this is really not one of our best just to put it away on the shelf and forget about it.”

Asked for his favourite memories of the singer, Hogan goes back to the early days of the Cranberries in the 1990s.

“It’s funny because you start to remember these things after somebody passes away. You know someone is there at the end of a phone or a visit away all the time so you kind of take things for granted. I think we all do that with friends and family and suddenly someone is not there anymore and all this stuff comes flowing back to you.

“A lot of the stuff I started to remember was from the very early days … when no one knew who we were.

“We were in many ways this little gang and we were going around writing these songs and playing to two or three people at night. The thing about Dolores was she always just laughed things off, she was great for joking and messing and things like that. I guess in this business you have a public face and you have the person behind that only closer people would know.

“She hated the way that particularly in the music industry people take themselves very seriously. They come in and they’re like, ‘you gotta do this’ or ‘you gotta do that’. She just couldn’t get her head around that, she used to just laugh at that stuff and make us laugh about it as well.

“They’re nice memories … because it was that journey that we were all on at that time in particular.”

Final curtain call for Boyzone, Ireland's pop supergroup

Boyzone on stage in Belfast in January at the start of their Thanks You & Goodnight tour.

Boyzone on stage in Belfast in January at the start of their Thanks You & Goodnight tour.

Boyzone, Ireland’s first true pop supergroup, are ready to take their final curtain call.

More than two decades since they first got together, the band are about to tour Australia for one last time when they arrive with their Thank You & Goodnight tour this weekend.

The 'boys', now all in their 40s, have decided to let go of the vehicle that brought them huge success.

Boyzone burst onto the scene in 1994, scoring hits in the UK and Irish charts with songs like Love Me for a Reason, Key to My Life, Picture of You, Father and Son, Words and Baby Can I Hold You.

Shane Lynch reflects on the early days, describing their sudden fame as “a hell of a ride”.

"I was 17 years old and kind of catapulted around the world just not really knowing what lay ahead, just being on a crazy adventure,” he tells the Irish Echo from Dublin. “But I was lucky enough to experience some major things with the other boys. Some of it is very vivid and some of it is very poignant in my life and then some of it is a distant memory like it never even happened."

Put together by pop mogul Louis Walsh in 1993, the band was originally made up of Ronan Keating, Keith Duffy, Stephen Gately, Mikey Graham and Lynch. Although some of them had promising careers and sports scholarships, the five lads from Dublin gave these up to pursue a career in music. They quickly became the biggest pop group to have ever come out of Ireland.

"I think the magic times for Boyzone were, without a shadow of a doubt, the 90's that brought us our huge success. I think probably the best memories for me is when we got back together in '07, '08, those kind of times when we were fresh in our minds and it wasn't such a mad ride anymore.

Boyzone on stage (from left) Shane Lynch, Mikey Graham, Ronan Keating and Keith Duffy.

Boyzone on stage (from left) Shane Lynch, Mikey Graham, Ronan Keating and Keith Duffy.

“The way music worked had changed and you weren't really going from radio station to radio station anymore. It all became a lot easier in the noughties and I think those are kind of the best memories for me. The blur factor of the 90's, it's hard to pinpoint anything that was a highlight as such. I think the highlights really came in our older stages and just being able to enjoy being a band."

Lynch, who took part in last year's Celebrity Big Brother and also regularly competes in motor racing, says the current farewell tour has been a great excuse to hang out with his old mates.

“We really don't get to hang out anymore, it's only a blessing if our paths cross at any point. We don't get to call around, 'you wanna play football?' It's not like that. When you have children, it just all gets a bit distant. It's almost like a continuous stag weekend when you go on a tour, it's a celebration of the joyous moments. We're very blessed to be able to do it."

Over the years, the 42-year-old has also come to terms with previously undiagnosed dyslexia which, he reveals, made it very difficult for him to read tour schedules or autocues in the early days.

"It was the 80's when I went to school, dyslexia wasn't really a thing and it was just more that you couldn't read and write or you were a troubled kid or whatever.

"I was able to hide it for those (Boyzone) years and it was just as I became older, I found my real confidence to be able to say, 'Actually, you know what? I actually can't do what you guys do'.

“All the Boyzone boys didn't know for many, many years. As it turned out: Yeah, I'm massively dyslexic. I wish I took that journey on that path many, many years ago. A lot of people say the school system let me down and all that stuff, it really didn't. I let myself down. I'm the one who didn't say anything.

"It became a great thing in the end because it built my character into who I am today in a survival test of things. That said, life could have been very difficult and it can be very difficult for people out there who can't read and write and are scared to go back.

“They're horrible times and horrible memories, those kind of schooling times so to go to adult education or to find out you can get to read and write the older you get, it's a lengthy process but I would advise anyone out there who has any sort of problem like that, not to be afraid."

The other members of Boyzone have had differing levels of success since the original split in 2000.

Ronan Keating, 42, has enjoyed huge success as a solo artist and spends a lot of time in Australia with his second wife Storm, a Queenslander. He has also appeared on a number of Australian TV shows including All Together Now and X Factor.

Keith Duffy, 44, has been acting on screen and stage since breaking into a new career with a part in the long-running TV soap, Coronation Street.

Mikey Graham, 46, trained as an actor after Boyzone split in 2000 and has made a number of TV appearances including in TV3’s Celebrity Apprentice Ireland.

The group were hit by tragedy in 2009 when original member Stephen Gately died of natural causes. He was 33 years old. The band, the nation and the world were shocked by his untimely death. Lynch says Gately continues to inspire the remaining Boyzone members.

"It's coming up to ten years now that we've lost Stephen and ten years is a long time and without a doubt, time is a great healer. What we try to do in our show is to make it a celebation of Stephen also.

“He was an amazing part of Boyzone, amazing character and without a doubt very much missed amongst us as a group, let alone as a friend gang and a guy that I would have grown up with.

“The way to miss him, it's not necessarily a tear to the eye, it's more of a smile. There's a lot of emotion for sure that runs through the crowd and certainly has done on this tour. It gave different emotions to different people and I think that's what music does, that's exactly what music is all about. When we meet up and we talk about Steo, we celebrate Steo. It delivers different impacts for different people but for us guys, we're definitely there to celebrate it."

While Lynch savours those early days of Boyzone he ‘lost it’ on The Late Late Show last year when host Ryan Tubridy showed a clip of the band’s cringeworthy first appearance on the show 25 years ago.

“I’ve busted my bollocks to get here. See that clip? You can shove it up your fucking hole,” Lynch told Tubridy on the live show.

Lynch laughs when asked about the outburst.

"You know what it was? It's kind of plain and simple and I, as a grown man, perhaps should have expressed myself in a little bit more of a controlled way but I guess I had had enough at that point. We all kind of lash out at times.

"My frustration was they invited us onto the show to celebrate Boyzone and talk about the great 25 years and to give us a real boost.

“The first thing they do is try and take you down or take you back to a time that was not nice for you. What I mean by that is The Late Late Show as we all know is not Boyzone's best time in life ever, it's actually the worst so it's like being reminded of being the dumb kid in school, the fat kid in school, the ugly kid in school. That was a hard time in Boyzone's life so to be kind of kicked in the bollocks by your own TV show, the biggest TV show in Ireland and to regress you back to those times was, I thought, very unfair. I think it was a nasty thing to do, it was like bullying at its highest level. Laugh it off because it's a TV show? No, I just felt I was being bullied at that point and I guess I came out kicking and screaming or expressed myself the way I did. That's just how I felt at the time."

Boyzone kick off their farewell tour at HBF Stadium in Perth on March 30 before performing at Adelaide Entertainment Centre on April 2, Margaret Court Arena in Melbourne on April 3, ICC Theatre in Sydney on April 5 and finally, The Star in the Gold Coast on April 6 and 7.

Talented tenor trio poised for national tour

The Celtic Tenors, from left Matthew Gilsenan, from Meath, Daryl Simpson, from Omagh and James Nelson, from Sligo.

The Celtic Tenors, from left Matthew Gilsenan, from Meath, Daryl Simpson, from Omagh and James Nelson, from Sligo.

A little more than a year after their first extensive tour of Australia The Celtic Tenors are headed back down under.

The Celtic Tenors are one of Ireland’s most popular classical crossover acts. They have been performing together for almost two decades and have sold more than a million albums worldwide.

Australia is relatively new territory for the trio, although they have toured here with Celtic Woman. They are well established in the US and Canada.

“We’re a little bit late to the party [in Australia],” Matthew Gilsenan tells The Irish Echo. “We’ve been together as a group for 20 years but last year was the first time we did anything meaningful in Australia. We love it.

“There’s so many Irish, half the country lives in Australia at the moment. We can’t wait to get back.

Gilsenan acknowledges that the genre is crowded but points to the longevity of their success as validation of their appeal.

“There’s lots and lots of tenor groups out there and we’ve been around longer than any of them but we’ve kept the head down and kept it small. We didn’t have the resources to go as far as Australia early on.

“The fact that we managed to survive this long and still be productive is great. We’ve just finished our ninth studio album.”

The Celtic Tenors combine classical with pop and perform Irish classics but, as Gilsenan explains, the combination is unique.

“It’s not quite what it says on the tin. We’re called the Celtic Tenors but about 10 years in we said, ‘We should have called ourselves something else’. We don’t do too much of the tenoring. Yes, we do Nessun Dorma and we do the big belter operatic things but only a bit. We’re very proud of our great Irish songwriters, from Declan O’Rourke to Phil Coulter, to Kodaline and the Script. A good song is a good song and that’s what we come to sing.”

On this tour they will perform The Irish Songbook that will include Song For Ireland, Danny Boy, You Raise Me Up and more favourites.

This is also very much the flavour of their forthcoming album: “It’s kind of the album we should have made the very first time out with songs like I’ll Tell Me Ma, Carrickfergus, The Parting Glass and The Rocky Road to Dublin. Many of these songs we’ve kind of avoided because everyone has done them and if we were going to be giving them a go at all, we would want to get fairly good at what we’re doing.

“I think 20 years in we’re beginning to feel almost like it’s a coming of age and have enough maturity to make musical calls.”

The Celtic Tenoes have performed for everyone from Bill Clinton to Bono.

The Celtic Tenoes have performed for everyone from Bill Clinton to Bono.

Gilsenan, from Meath, and James Nelson, from Sligo, have been members of The Celtic Tenors since the start. The third member, Daryl Simpson, from Omagh, replaced Niall Morris in 2006.

The Meathman believes the fact that they are not locked into one setlist keeps it interesting for them as performers and entertaining for their audiences.

“Because we haven’t written our own music so much, we tend to cycle through songs that we think are great songs. And the ones that are truly great songs are the ones that feel like we’re doing them for the first time every night and we still enjoy them,” he says.

“It’s a huge plus for us as performers. If you’re performing something that you’re sick of doing it’s going to come across. We never do anything we don’t like. That’s what surprises: the content of the show, the craic that we have. It’s a non-scripted show. We’re kind of ordinary fellas.

“We’re not overly classical, we’re not overly Irishy, it’s just a good night of quality music. We don’t take ourselves seriously at all.”

Playing to expat audiences is always rewarding, Gilsenan says, and the degrees of separation with home are always few in number.

“An old man came to one of our shows a few years back,” he recalls.

“He said, ‘I noticed your name was Gilsenan. Did you ever hear of a man called Matt Gilsenan from Meath, the football player? That’s why I came, I recognised your name’. My grandfather was Matt Gilsenan. He was the captain of the Leinster football team in 1939 and they won the Railway Cup. He said, ‘I played with your grandfather in 1942’. And I said, ‘My God, that’s amazing’. He said, ‘Well, I left in 1945 and I never came home’.

“He wrote a little note to my grandfather who was the absolute definition of a hard man. But he was really, really gobsmacked when he got this. It’s quite emotional the stories that you come across, it’s unreal.”

What does Gilsenan consider the best compliment the group has been paid in 20 years?

“I remember we sang for Bill Clinton at an event in Dublin Castle. It was marking the fact that the Good Friday Agreement seemed to have stuck, so we were singing for Bill Clinton; Bertie Ahern was Taoiseach at the time, so he was there. Bono and Bob Geldof were there; President [Mary] Robinson and all these people.

“Three days later, we get a phone call from Bono’s office to ask if we would sing at a private birthday party for him so he obviously thought our version of Danny Boy was good enough. He asked us to sing five or six songs as a birthday gift for [the late Secretary General of the United Nations] Kofi Annan’s wife. He was a lovely man and his wife was even nicer.”

Part of the fun of performing is to reconnect with audiences and, Gilsenan says the trio treat their fans as friends.

“Young pop groups have fans; we tend to treat them more like friends. We don’t separate ourselves too much. At the end of a show, we’re there signing CDs, shaking hands and saying hi and you end up knowing so many of them.”

The Celtic Tenors return to Australia in May and June for a national tour. For more information, go to

Dublin singer eager for Aussie return

Gavin James has built a following from Belfast to Brazil.

Gavin James has built a following from Belfast to Brazil.

“Can’t wait,” Gavin James replies when he’s asked if he is looking forward to his Australian tour in March.

It will only be the second time he has played these shores.

“Should be great craic. It’s a really quick trip but I’d love to go over there next time and spend about a week and hang out a little bit. Still should be great craic though.”

It was in 2016 that the Dubliner played his first Australian shows.

“It was great. The Australian crowds are class. They were singing all the words, a lovely crowd to sing to. I’m excited to see what it’s like this time now that it’s on a bigger scale. We’re bringing the band over as well, so it should be good.”

In addition to his supporting band, James will also bring his new album, Only Ticket Home, which was released late last year and went straight to number two in the Irish charts.

The album features the the triumphant love song Glow, which is accompanied by a feelgood video where the singer walks through the cobbled streets of Temple Bar singing and being joined by all the hen parties, buskers, visitors and mime artists of Dublin’s famous tourist trap.

“We did it in Temple Bar because I played there for years before I got a deal. When I left school, I went straight into Temple Bar and did gigs, 15 gigs a week, but it helped me learn how to sing, write songs and play so I thought I would do a video in Temple Bar and get everybody involved.

“We were lucky with the weather. I remember somebody was saying, ‘We should go to Portugal or something’. I was like, ‘We have to do it in Ireland’.”

From Temple Bar, the then 21-year-old would go onto sign a record deal. His debut album Bitter Pill was released in 2016 and reached number five in Ireland.

James once said that every gig he does is like a party that he is never quite sure anyone is going to show up for. Even now, does he still get that feeling?

“Definitely. It always comes back. I put my first show on in Brazil last year. I was like, ‘Is anyone actually going to come to this show in Brazil? I’m just some lad from Dublin that has one song on the radio over here’.

“I didn’t expect anybody to show up because you never know. The Irish crowds have always been amazing and very welcoming but then you go to a new market, you never know.

“You’re always unsure no matter how much you get played on the radio or how much streaming there is, it all depends on whether it connects with people or not. I think it’s always just a shot in the dark no matter where you play really and if it goes well, book the next tour immediately.”

Just so you know, people did show up to his Brazilian shows and he is booked to go back to play a venue as big as Dublin’s Olympia in Sao Paulo:

“It’s mad that it’s so far away and the music still reaches; it’s deadly.”

Gavin James returns to Australia in March for a whistle-stop tour.

Gavin James returns to Australia in March for a whistle-stop tour.

The Brazilian connection came about after his music featured on Brazilian soap opera Pega Pega and, when he visited the country, he did a cameo performance.

So, how was his South American soap opera debut? “It was gas. The director wanted me to speak in Portuguese but my accent was terrible. There was a girl and her boyfriend, I think they were making up or something. I ended up doing a couple of takes saying it in Portuguese and eventually they took me saying, ‘Howaya, Luisa. This song is for you’. It wasn’t even, ‘Hey, Luisa’. It was, ‘Howaya, Luisa’. It was very funny.”

His music has also featured on the popular Aussie soap Home And Away but he says he’s not sure about seeking a role in Summer Bay.

“I’ll head down to the set and see what happens. They’re always playing the tunes. I always get a text off my ma every time saying, ‘you’re on Home And Away again’.”

The now 27-year-old is also huge in Holland, Singapore and the Phillipines to name just a few faraway places his music has reached.

One memorable recent gig for James involved playing a set at Conor McGregor’s sister’s wedding. How did he come to perform at the family gathering of another very famous Dubliner?

“She was a big fan so his publicist gave me a shout and asked if I was around and the wedding was half an hour from my gaff so I went down, played Nervous, played a couple of tunes at the wedding. I didn’t even meet him. I just ran in, did the wedding and then had to make it back to the airport to get back to London.”

Gavin James plays The Foundry in Brisbane on Thursday 21 March; The Prince Bandroom in Melbourne on Friday 22 March; Manning Bar in Sydney on Saturday 23 March and Badlands in Perth on Sunday 24 March.

Get set for tsunami of Irish music

Luka Bloom returns to Australia after a four-year absence.

Luka Bloom returns to Australia after a four-year absence.

Fans of Irish music might need to brace for a ticket-buying frenzy as a virtual invasion of artists prepare to travel Down Under over coming months

The East Coast Blues and Roots Festival in Byron Bay over Easter has a distinct Irish accent next year with Hozier and Imelda May both headlining.

Hozier is now a genuine superstar who has built up a massive following around the world since his breakthrough hit Take Me To Church in 2013.

Damien Rice makes a welcome return to Australia.

Damien Rice makes a welcome return to Australia.

Dubliner Imelda May looks very different to when she first toured Australia in 2011. Now, having abandoned her rockabilly look and sound, she has established herself as a brilliant soul and jazz singer.

Also on the bill at Byron Bay are Canadian based Irish singer Irish Mythen, honorary Irishman David Gray and Irish-American Celtic funk band Flogging Molly.

Ahead of that, in February, the uber-talented Damien Rice returns for his first Aussie tour in a decade.

Playing intimate venues like the City Recital Hall in Sydney Rice is slated to “take audiences on a familiar yet unique musical journey – presenting much-loved classics, with the tease of new music on the horizon”.

In March, Gavin James returns after a very successful tour in 2016.

The Port Fairy Folk Festival and Blue Mountains Folk Festival also boast some awesome Irish talent with Luka Bloom returning to Australia for his first tour in five years. Also performing at those festivals in the remarkable Wallis Bird. Born left-handed, she lost the four fingers and thumb of her left hand in a lawnmower accident and had four sewn back on. She got used to playing a right-handed guitar upside-down, which explains her unconventional style.

Hozier plays the East Coast Blues and Roots Festival.

Hozier plays the East Coast Blues and Roots Festival.

Also hitting the festival circuit will be Daoiri Farrell. The former electrician, who decided to become a musician after seeing Christy Moore perform, has been described by some of the biggest names in Irish folk music as one of most important singers to come out of Ireland in recent years.

Sharon Shannon also returns to Australia in February for a shows in Perth, Sydney, Adelaide and Melbourne. Also in Australia that month will be crooner Daniel O’Donnell.

Dublin’s Kodaline also return to Oz for the first time since their sold-out 2014 tour. The indie pop quartet have gigs lined up in Sydney, Brisbane and Perth after a St Patrick’s Day show in Melbourne.

Fans of Irish pop can look forward to a reformed Boyzone touring in March and April. Before that, Irish girl group B*Witched will arrive for shows from the end of January.

Celtic Tenors also arrive in May for a national tour.

Electro-folk duo on first Australian tour

Saint Sister have won praise in Ireland for their ‘atmosfolk’ sound.

Saint Sister have won praise in Ireland for their ‘atmosfolk’ sound.

The Irish Times says, “their haunting performance is impeccable”, while Hot Press laud their “tremendous vocal depth and vulnerability”. 

They once sang with world conquering Hozier at Trinity College and now, Irish electro-folk duo Saint Sister are headed to Australia for their first tour which will include Sydney Irish Festival and Mullum Music Festival. 

Described as a mix of early harp traditional, folk and electronic pop or simply ‘atmosfolk’, Saint Sister is made up of Gemma Doherty and Morgan MacIntyre, who first came together in 2014. Their first trip down under comes immediately after the October release of their debut album, Shape of Silence, produced by Alex Ryan (Hozier’s bassist). 

“I’ve always wanted to come and see Australia and we definitely weren’t expecting to be able to go this soon,” Doherty tells The Irish Echo.

MacIntyre adds: “It’s a dream come true to be able to get to go to Australia at this stage. We’re really looking forward to it.”

The band will join big names like Damien Dempsey, Mary Black and Lunasa for the Sydney Irish Festival that takes place over the weekend of 10-11 November and also includes a hurling match between Kilkenny and Galway. 

Gemma says: “It’s very exciting. I came from a very traditional Irish background so it’s where a lot of our influences come from, maybe they don’t come directly out on the surface but that’s kind of the world I grew up in so it’s really lovely to be able to cross over into that more traditional Irish folk world sometimes. I’m really excited about that line-up.”

MacIntyre believes expat audiences will relate to Saint Sister’s sound with its innate sense of longing.

“I think Irish music in general has a lot of nostalgia and longing and yearning,” she says. 

“Every kind of Irish music somehow has that innate sense of longing. I think it’s just the make up of us as a country and because we have such a big diaspora, that longing is exacerbated and exaggerated in those forms (music, literature).  

“Music is such a big connector as well. I think we’re lucky as Irish musicians that when we’re travelling around the world , we have this ready made group of people that understand us and it’s probably not the same for other people whose nationalities doesn’t have as big a diaspora. 

“I think that makes it very easy to relate to and it makes it easy for touring musicians from Ireland because you can go away and know you’ll be understood and that your sense of identity and longing and all that stuff that comes with being an Irish person will translate.”

Doherty adds: “It’s incredible to be going to the other side of the world and having a huge bunch of people who have already come from where you’ve come from. Hopefully there’s a connection there already.”

From Derry and Belfast respectively, Doherty and MacIntyre moved to Dublin in 2010 to study at Trinity College where they met. They sang in the Trinity Orchestra together with Hozier before deciding to join together for their own project. Their sound can be described as dreamy, a feeling that is created by their atmospheric sound and beautiful harmonies.  

Their album title, Shape Of Silence, comes, MacIntyre says, from their interest in “the idea of space and what can be said and what can be felt in the gaps, whether it is gaps in the lyrics or the music.  And what can be said when you’re not saying anything. 

“Silence is quite a deadly thing and quite a powerful thing. We thought it was interesting to think about it as something you can touch and hold and that had weight and was very heavy, so that’s where Shape of Silence came from. It seemed to suit the kind of world we were going for.” 

The album has slowly come together over the last three years as the offers to gig kept coming in, disrupting what could have been writing or recording time. However, this suited them as they still were able to put out material such as their Madrid EP or Tin Man single, both tracks that feature on the album. 

Saint Sister play Sydney Irish Festival on Saturday November 10, Northcote Social Club, Melbourne on Sunday November 11, The Lansdowne in Sydney on Tuesday November 13 and Mullum Music Festival on Saturday 17 and Sunday 18 November. For more information, go to

Irish soul singer keen to reconnect with Aussie fans

Damien Dempsey has a huge following in Australia.

Damien Dempsey has a huge following in Australia.

One of Ireland’s most distinctive voices and passionate performers returns to Australia this November.

Since the release of his debut They Don’t Teach This Shit in School in 2000, Damien Dempsey has earned the admiration of performers as diverse as Sinead O’Connor, Morrissey and Bruce Springsteen.

His style has been called ‘urban folk’ but he prefers to call it ‘Irish soul’ and the Dubliner is never inhibited about weighing into political debates and championing community causes.

He returns to Australia in November to headline the Sydney Irish Festival which will also feature Mary Black, Lunasa and Saint Sister (see page 6).

“I never performed with Mary but I would know her kids well,” Damien tells The Irish Echo. “You never know, we might do something at the end of the night if she’s into it. With Lunasa and that, get a bit of a singsong going. I always stick in a few of the old Irish songs because they have such great memories, the songs of our ancestors. They’re just like old ghosts and you just have to breathe new life into them and they come alive.

“I want to get everyone in those showgrounds to feel on cloud nine, make them feel as high as they can. A natural high. Get them all singing. Singing is a great way to get people high. To get them all singing in unison, it releases endorphins. It’s great.”

Dempsey is no stranger to playing to huge Irish crowds abroad and has played to St Patrick’s Day crowds in Australia before.

“Years ago, [playing to large crowds] might have frightened me but I’m kind of ready now for big venues. It took me a while, the nerves used to kill me but I’m ready now. I’m kind of ready for anything now, I think.”

Damien Dempsey lends his support to many community causes. In 2014, he and Glen Hansard performed at a protest against water charges. Picture: Niall Carson

Damien Dempsey lends his support to many community causes. In 2014, he and Glen Hansard performed at a protest against water charges. Picture: Niall Carson

He recalls a memorable night in Sydney in 2013 when he played the Opera House on St Patrick’s Day.

“The Sydney Opera House have never seen a crowd like it. They were up on the seats with the tops off, arm in arm, singing the songs and they drank the bar dry in about 40 minutes. They had to close the bar because they drank every bit of alcohol, everything was gone so the Opera House (officials and staff) were just going around with their mouths open, just ‘what the hell?’

“They had never seen an audience like it but they were no trouble, just everybody in great form and singing the songs. I’ve done a couple of Paddy’s days there (Australia) and it’s always very emotional.”

The Dubliner’s music resonates very strongly in emigrant communities and he empathises with those who may have been forced to leave home.

“A lot of them have had to leave Ireland and maybe leave old parents behind that they’re worried about, but they’ve no choice. My parents are in their seventies and they wouldn’t be in great health, the thought of having to live abroad and not be around for them, I would find it very hard. I feel for the guys who have to be away.”

Having lived in New York and London as well as elsewhere in Dublin in spells, Damien now lives in his native Donaghmede: “I was always being told by people during the Celtic Tiger: ‘Buy a house now, get on the property ladder now. It will never go down’. I kind of felt there was a recession coming so I waited and then when the market was rock bottom, I had some savings and got a house in Donaghmede.”

Two recent Irish TV appearances have thrown him into the public spotlight even more than usual. He appeared on the Tommy Tiernan show where he spoke about battles with depression and his ancestry was explored on an episode of Who Do You Think You Are?.

“I had ancestors in the Irish Citizen Army that fought with James Connolly and it went in depth into stories of other people who fought during the famine and were imprisoned with Daniel O’Connell.

“Then there was protestant blood on one of the sides which was a shock for a lot of people. Not to me, I don’t go in for all that really.

“Then my family went to America working in cotton mills over there in horrendous conditions. Some of them disappeared and some of them came back. I was in the school in Letterfrack getting the story of what happened to the children. I was in prisons in Dublin where Fenians were sent and City Hall where my great aunt took the building in 1916. Fairly interesting.”

His Australian tour coincides with the release of his ninth album, Union.

“It includes collaborations that I’ve done with people like Maverick Sabre who is a great singer. Imelda May is on it, Seamus Begley, Finbar Furey and John Grant. I think they’re all fairly powerful (songs),” he says.

Dan Sultan, the Irish-Australian indigenous singer, also joins him on the song, It’s Important.

“Dan wanted to come to Ireland, to Mullingar to see where his people came from. They asked me would I bring him on tour with me around Ireland. I hung out with him down there and he taught me a lot about Aboriginal culture. He’s a great old friend. I’m looking forward to seeing him when I get to Melbourne.”

Limerick band Hermitage Green eager for Australian return

Hermitage Green return to Australia in November.

Hermitage Green return to Australia in November.

Limerick folk/pop outfit Hermitage Green have developed a strong affection for Australia, which is why they are returning down under for the second time in 12 months. 

Guitarist Darragh Griffin said the reception they received last year was motivation enough for a quick return.

“When we were there last November, we kind of said, ‘We need to do this regularly; this can’t be a once every three years kind of thing’,” Griffin said.   

“What we’ve tended to find as well is you have to do a bit more work to win the crowds over but that can be kind of an enjoyable challenge.” 

Darragh shares vocal and guitar duties with the Murphy brothers Dan and Barry, the latter of which had a successful career with Munster rugby before taking up music as a serious pursuit.  

The band have been coming to Australia since 2013.

“Our first time going to Australia was a surreal stand-out experience for us. We played a couple of weeks in Perth and had built up a bit of a reputation and people got to know us and enjoyed us and then we did the east coast. 

“We were coming back (to Perth) for one gig at the end of it and for that last gig, there was literally this enormous queue of people up the road where they couldn’t get any more people into the pub so we ended up actually going out and playing to the fewer [number of] people who were waiting, because we knew they weren’t going to get in.

“When you see that kind of hype being built up in the space of two weeks, that’s all it was, and I suppose that news had spread from coast to coast literally between the community and it was absolutely amazing. It’s something we weren’t expecting to happen on that sort of scale at all.”

The Limerick band’s Australian preoccupation is not just about audiences. They’re travelling with a didgeridoo as the instrument features in the song The Lion’s Share.

“I can tell you it’s not the easiest thing to travel with,” Griffin joked.

The Limerick five-piece played at a special memorial concert for The Cranberries Dolores O'Riordan earlier this year.

The Limerick five-piece played at a special memorial concert for The Cranberries Dolores O'Riordan earlier this year.

How did an Australian crowd react to seeing an Irish band with the quintessentially Australian instrument? 

“It definitely raises the eyebrows. I think you can recognise if someone is doing something from an angle of a gimmicky thing but it’s essentially the foundation the rest of the song is built on top of. You couldn’t have a bunch of Australians coming over to Ireland and jumping around with a fiddle on stage. That wouldn’t be appreciated [just as] it wouldn’t be appreciated in Australia to be disrespectful to the didgeridoo.

“As soon as people recognise that it’s an integral part of The Lion’s Share, I think they appreciate what are trying to do with it; we’re trying to incorporate it into our own sound.” 

The band’s last tour got off to a disastrous start when some band members couldn’t get into the country in time, meaning that their Prince Bandroom gig, the first of their tour, had to be cancelled. They won’t repeat the same mistake again.

“We’re going to Melbourne a week and a half early this time to make sure. A monumental mess-up was what it was and a little bit of naivety on our part. 

“We were just really devastated that people had been coming from far and wide and then suddenly the gig was cancelled. We were just really, really gutted. We do not cancel gigs, it’s got to be something absolutely monumental to cancel a gig because we know the effort people make to go to gigs because we make it ourselves. It’s devastating when it’s called off. We 100 per cent will not be making that mistake again. Hermitage Green will be there on stage as planned.” 

All of Ireland was shocked by the sudden death of Dolores O’Riordan in January and nowhere more so than in her native Limerick. Hermitage Green paid tribute to one of Limerick’s most famous daughters at a special gig in King John’s Castle when they played the famous Cranberries’ songs Dreams and Zombie.

“It was phenomenal, I’m getting [the] shivers thinking about it. 

“There were 2,000 people screaming these lyrics back at us and we ended Zombie and the crowd just kept singing it and it wasn’t really planned out like that. They kept singing the end of Zombie and we had that 15 seconds where we all just stood at the front of the stage and looked over 2,000 people, over the wall of King John’s Castle and onto the city and the Shannon and it was just really, really emotional. It was an incredible moment. It’s a hard one to top. We’re going a few years and that’s a stand-out moment. I’m emotional talking about it. It was incredible.  

“Noel Hogan [Cranberries guitarist] was at the gig, so knowing he was in the audience watching this, on top of everything else, really kind of brought it all home. It was absolutely amazing.”

Hermitage Green kick off their tour in Perth on November 10 before gigs in Brisbane, Melbourne, Newcastle, Sydney and Thirroul. 

Australia to get another quick round of Coronas

The Coronas are heading back to Australia for a whistle-stop tour.

The Coronas are heading back to Australia for a whistle-stop tour.

Just a year after releasing their Irish number one album Trust the Wire and their last Aussie tour, Dublin rockers The Coronas return to Australia for three shows in November. 

Since establishing themselves in 2003, The Coronas have built up a loyal fanbase in Ireland and cemented themselves as one of our best live acts. 

Fresh from playing to 14,000 fans at Dublin’s 3Arena, lead singer Danny O’Reilly told The Irish Echo how excited the band are to be heading back down under. 

“The reaction we have been getting there is just amazing so we’re really excited about going back,” O’Reilly, the son of singing legend Mary Black, said. 

“We had a cool gig in Sydney in March, just to launch the gigs, and we love going there. We’re really excited and hopefully by the end of November, it will be nice and sunny as well so we’ll get a bit of sun on our skin.

“Often times we don’t get to enjoy the cities too much but hopefully we’ll get a few days either side just to enjoy the place. It was cool to be back in Sydney for a few days. We have a couple of friends living there now. 

“Hopefully when we go back in November, we might have a few days to enjoy it and chill out and catch up with people again.”

It was just last year that the band released their fifth studio album but in June they followed it with new material in the form of the EP, The Reprise, a collection of loose-end songs that did not fit on previous albums.

“We’ve been playing a few songs off it. It’s been going well. It’s always nice to have something new out there.

“I think the EP’s a little bit different for us, it’s a little bit of a departure from what we’ve done in the past. I mean it’s still Coronas, it’s still three and a half minute songs of my whiny voice on top of some pop songs but I think musically it’s slightly different for us. 

“It’s been getting an amazing reaction, much better than we even thought. We thought we were gonna release it under the radar just to have a release for our really eager fans who want to hear some new music but I think it’s helped us garner some new attention and some new fans so it’s really encouraging.

“We had more freedom because we produced it ourselves. It’s the first piece of work that we self- produced. It was very free and easy and like, ‘Okay, there’s no pressure on it to be a big successful album, we don’t need a load of hits, this is just something for us’. And I think taking that pressure off made it more enjoyable.

“Sometimes when you get too caught up in trying to write singles you can get off track a little bit. With this, we didn’t worry at all about getting radio play; this was more of a self-indulgent … undertaking. It was nice to be able to do that and scratch that itch and let ourselves just go with it.”

The lead single on The Reprise is The Note, striking for both the singalong and triumphant tune and the heartbroken lyrics it is married to. 

O’Reilly has often spoken about how he writes about his own life in his music. This song could very well be from the period after his high-profile break-up with television presenter, Laura Whitmore. 

“It’s about the struggle after a break-up and sometimes that maybe things aren’t great and they might not get better and having those depressing feelings so it’s definitely darker lyrically,” he said. “People are loving it and that’s really great to see. It’ s nice we found a home for it because it’s a song we’re really proud of.”

The band have started putting together material for their next album and O’Reilly reveals this comes as a relief after the last album’s difficult preparation.

“I’m really excited about the new stuff, more so than years gone by. With the last album Trust the Wire we’re really proud of it. I definitely think it’s one of our strongest albums but I think it was the closest I’ve ever been to having writer’s block. 

“I was definitely struggling creatively for a while so I just thought: ‘We’re getting older, trying to continuously improve creatively, it’s going to be difficult and it’s going to just get harder as you get older’. 

“That’s sort of what I had resigned myself to but then we went down to Dingle and had these two weeks where there were just songs falling out of us and I was like, ‘Oh my God. These are great’.”

O’Reilly will not be the only family member in Australia in November as his mother Mary Black will perform at the Sydney Irish Festival.  

Asked if there could be some overlap of their time here, O’Reilly replied: “It will be great. To be completely honest, I had no idea we were going to be in Australia at the same time, so thank you for that. It would be so cool. 

“If I can do it, I would definitely consider going over a week early maybe to Australia, seeing her show and just chilling out for a week. I hope that might work out, make a family holiday out of it.” 

The Coronas play Prince Bandroom, Melbourne on 22 November, Metro Theatre, Sydney on 23 November and Capitol, Perth on 24 November. For more information, go to